Showing posts with label Suzanne Collins. Show all posts
Showing posts with label Suzanne Collins. Show all posts

Sunday, September 7, 2014

Defining Genres in Fiction - #amwriting


I’m teaching a Fiction Writing class at the local college this fall, and the other day I set out to make a list of genres, with definitions and examples.  I ended up getting sucked into a black hole, spending hours trying to contrast and compare different lists that varied greatly from one source to another.  Some insisted one genre was actually a subset of another, another source declared the opposite.  Dozens of subgenres muddied the waters as well. 

Those of us who are writers know that most books don’t fit into one tidy genre anyway—there are blurred lines and overlapping traits.  But that doesn’t help the new writer with an assignment to pick their favorite genre and study it.  So this is MY attempt to classify some popular genres; I’m not claiming there are no other ways to do so, and if there’s one singular master list accepted by all, my hours of searching did not locate it.  One thing I noticed is that Erotica was rarely given its own genre—it was usually listed as a subgenre of Romance.  Maybe it’s because I’m a Romance author, but I think that’s wrong.  One key component of Romance is the HEA, and while some Erotica will incorporate that, it’s not a requirement.  At my press, we have two different websites to showcase our offerings: one for Romance, one for Erotica—and both genres have huge followings.  So I gave them each their own category.  Feel free to weigh in on how you organize and define the genres!  Keep in mind the word “usually” should always be implied, and that I didn’t think it feasible to list every subcategory.  OK, here we go!

The genre refers to the constructs of the story; things regularly done and expected in terms of technique, tone, and content.

A.   Mystery/Detective/Crime Fiction – focuses on the investigation and solution of a crime, the unraveling of secrets.

·        Cozy mystery usually involves a woman who is an amateur sleuth; these are fun reads with quirky and likeable characters in a small town setting; not very graphic in terms of violence and sex.  An example would be Lillian Jackson Braun’s The Cat Who…series.

·        Hardboiled detective fiction tends to involve a professional detective with a cynical attitude; more graphic and gritty; city setting with a focus on action.  An example is Raymond Chandler’s Philip Marlowe.

 

B.    Thrillers/Suspense – incorporate twists and suspense along with fast-paced action; provides a rush of emotions; main character is often a man whose occupation or career leads into the plot.  An example is Dan Brown’s Da Vinci Code.

·        Occupational Thrillers encompass subgenres such as Legal Thrillers (John Grisham), Medical Thrillers (Robin Cook), etc.

·        Many other subgenres, including Ecothrillers, Espionage, Paranormal, Political, Psychological, Technothrillers.

 

C.   Horror strives to evoke fear, dread, and shock; purpose is to frighten readers; often involves some supernatural elements.  Example is It by Stephen King.

 
Stephen King is my
favorite Horror author -
I love his Fantasy novels too

D.   Speculative Fiction – fairly difficult to define.  This genre revolves around real or imagined science or technology; the world (or society) tends to be different from ours in a fundamental way; laws are different; world-building very important.

·        Science Fiction deals with the more plausible make-believe scenarios; science that might exist in the future.

·        A few other subgenres are Dystopian, Apocalyptic, Post apocalyptic, Alternative History.  The Hunger Games by Suzanne Collins is an example of Dystopian.

 

E.    Fantasy – almost always deals with something magical.  An imaginary world, animals or people with unexpected powers; world-building very important.  An example is C.S. Lewis’s Chronicles of Narnia.

 

F.     Historical Fiction – aims to immerse the reader in a specific time period.  This genre is set in the past; the plot comes from the writer’s imagination, but the setting and details of the time period are accurately portrayed.  Sometimes includes real historical figures interacting with fictional characters.  This genre requires a great deal of research.  Ken Follett’s The Century Trilogy is an example.

 

G.   Romance – fairly easy to define, as two key criteria must be met: the relationship between the 2 main characters must be central to the plot, and there must be a satisfying, happily ever after (HEA) ending, or at least happy for now.  The Romance genre is about two people overcoming significant challenges to be together; allows the reader to experience the crackling chemistry, the sexual tension, and the emotional roller coaster of falling in love.

 

·        Lots of subgenres, including Paranormal, Historical, Sweet, Christian, Romantic Suspense, Contemporary, Time Travel, etc.  Nora Roberts is a well-known and prolific Romance author.

 

H.   Erotica – features sexually explicit details designed to arouse the reader.  It is not pornography, there is a plot and developed characters.  The plot may or may not include a relationship; the characters may or may not have an HEA.  Captive in the Dark by C.J. Roberts is an example.

 

I.       Women’s Fiction – includes topics that are important to women, i.e. all types of relationships and friendships, love, careers, family, hopes, and dreams.

 

·        Chick Lit is a subgenre that promises a fun read with realistic, modern characters.  The covers tend to be bright and distinctive.  An example is Bridget Jones’s Diary by Helen Fielding.

 

J.      Young Adult (YA) Fiction – targets the 12-18 age group; protagonist falls within that age range.

·        “Edgy” YA deals with controversial or difficult issues.

·        Other than that, the same subgenres of adult fiction apply, i.e. Divine Fall by Kathryn Knight (me!) is a YA Paranormal Romance.

Young Adult
Paranormal Romance
is a popular genre
 
 
Finally, a note about Literary Fiction – this encompasses novels that are not genre fiction; stories that defy categorization in a genre; the emphasis is often on the prose itself.  An example is The Help by Kathryn Stockett.

There you have it, my attempt at defining genres in commercial fiction.  I hope it’s more interesting than confusing...I love comments, so weigh in with your opinion!

Wednesday, April 30, 2014

More #Books for Boys - #amreading - Kathryn Knight

A few months ago, I wrote a blog post with book recommendations for boys--Books for Boys--and I'm thrilled that it's received so may hits.  My younger son, age 12, continues to read books at a pace that almost parallels me at his age.  So I'm doing a second post with recommendations based on his latest favorites:

Fablehaven, by Brandon Mull.  One of our cousins passed the first book to us, and I handed it to my son when he was out of reading material.  He was hooked!  He absolutely tore through the entire series:  Fablehaven, Rise of the Evening Star, Grip of the Shadow Plague, Secrets of the Dragon Sanctuary, and Keys to the Demon Prison.  This is a bestselling fantasy series revolving around a secret sanctuary for magical creatures.  The main characters, 13-year-old Kendra and 11-year-old Seth, are the grandchildren of the caretaker of this mystical preserve, which they discover when they solve a puzzle while visiting their grandfather.



The Underland Chronicles is another great, but lesser known, series by Suzanne Collins, the author of the wildly popular The Hunger Games trilogy.  These five fantasy novels feature main characters 11-year-old Gregor and his 2-year-old sister Boots, a pair of siblings who live in New York City.  When they fall through a vent in the basement of their apartment, they find themselves in a hidden world located under the city, where all types of unusual creatures live along with other humans.  The books are Gregor the Overlander, Gregor and the Prophecy of Bane, Gregor and the Curse of the Warmbloods, Gregor and the Marks of Secret, and Gregor and the Code of Claw


As mentioned in the first Books for Boys post, he truly loved the Peter and the Starcatchers series by Ridley Pearson and Dave Barry.  So I did a Goodreads search on the authors, and found that Ridley Pearson wrote a series called The Kingdom Keepers.  In a funny twist, I discovered this right before we left for our Disney vacation.  So my son enjoyed Disney After Dark while we were actually at Disney, and he's since read Disney at Dawn and Disney in Shadow.  The rest of the series currently includes Power Play, Shell Game, Dark Passage, and The Insider. The books revolve around a group of teens who spend their days working as holographic hosts at Disney.  But when night falls, they face villains seeking to control not only the parks, but the world.



We often travel on long car rides to visit extended family, and I try to find a book we might all enjoy, which I then read aloud.  This is how we discovered The Hunger Games, and I'll never forget how sore my throat was on that trip because of the multiple pleas (from both the kids and my husband) for "one more chapter".  So on our recent Easter trip, I brought along Ender's Game, by Orson Scott Card.  This had been on my list for a while, but since it's a YA book about a boy selected for an elite Battle School in space, I figured it might be a hit.  We're about halfway through at this point, and my kids really enjoy the descriptions of the military training drills and practice battles in the zero-gravity battle chamber.  The main character, Ender, is a clever strategist who sets himself apart as a leader from the day he enters the school--although this, combined with the fact that the adults are grooming him to lead their forces to victory against invading aliens, makes his childhood very different from the one he envisioned with his family on Earth.

Hope this list gives the parents of kids who enjoy fantasy or sci-fi adventure--boys or girls--some new ideas!  Feel free to leave any other recommendations in the comments below.  Happy reading :)